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  • As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
    APIPublic domain data for this object can also be accessed using the Met's Open Access API
  • Objects with changed or unknown ownership in continental Europe between 1933-1945. Learn more
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Love Caresses Before It Injures
Barthélemy Joseph Fulcran Roger
before 1812
Mr. James Bennett as Iago: "That Cassio loves her, I do well believe it. That she love him, 'tis apt, and of great credit" (Othello, Act 3, Scene 4)
Martin & Johnson, New York
1855
Mr. Edward Eddy as Posthumous: "Kneel not to me" (Cymbelline, Act 5, Scene 5)
Martin & Johnson, New York
1855
La Chocolatière
James Posselwhite
1842
The Happy Mother
Alexis François Girard
1857
Ancient Funerall Monuments within the United Monarchies of Great Britaine, Ireland, and the Ilands adiacent, etc. (sic)
John Weever
1631
Francesco Bartolozzi
Luigi Rados
1827
Liberty
Pierre Paul Prud'hon
1794
The Iliad and Odyssey of Homer, Engraved From the Compositions of John Flaxman, Sculptor, Rome
John Flaxman
1793
Plans de Plusieurs Chateaux, Palais et Residences de Souverains de France, Italie, Espagne, et de Russie
Charles Percier
[1833]
A Series of Proof Portraits and Embellishments, Executed by first rate Artists, to illustrate the best English novellists, poets, and essayists
Charles Cooke
1805
Mary, Queen of Scots, with scene of her escape from Loch Leven Castle
Thomas William Hunt
ca. 1850–80
Ulysses at the Table of Circe (The Odyssey of Homer)
John Flaxman
1805
A New Parallel of the Orders of Architecture
Auguste Charles Pugin
1829
The Strike of the Cat's Paw, or The Pains That Love Causes Us
Jean Prud'hon
1804–14
Miss Lizzie Weston as Oberon: "And Maidens call it, love in idleness. Fetch me that flower" (Midsummer Night's Dream, Act 2, Scene 2)
Martin & Johnson, New York
1855
Edifices Modernes de Rome, 3 volumes
Paul Marie Letarouilly
1853
The Iliad of Homer Engraved From the Compositions of John Flaxman, R.A., Sculptor
John Flaxman
1805
Zephyr
Pierre Paul Prud'hon
1864
Frontispiece to Jerusalem, the Emanation of the Great Albion
William Blake
[ca. 1804–20] (?)
The Iliad and the Odyssey
John Flaxman
1834
A Series of Proof Portraits and Embellishments, Executed by first rate Artists, to illustrate the best English novellists, poets, and essayists
Charles Cooke
1805
Fête pour la Paix Générale donnée à Paris le 18 Brumaire. Pont Royal
Francesco Piranesi
1801–2
The Iliad and the Odyssey
John Flaxman
1834
The Grotto
Barthélemy Joseph Fulcran Roger
1799
A Series of Proof Portraits and Embellishments, Executed by first rate Artists, to illustrate the best English novellists, poets, and essayists
Charles Cooke
1805
Auguste Vestris
Henry Meyer
May 1, 1809
Compositions from the Tragedies of Aeschylus
Aeschylus
1831
The Bath
Barthélemy Joseph Fulcran Roger
1800
Mr. Jamieson as Brutus: "I would not Cassius; Yet I love him well" (Julius Caesar Act I, Scene II)
Martin & Johnson, New York
1855
The Iliad of Homer, The Odyssey of Homer, Compositions from The Tragedies of Aeschylus, and The Theogony, Works and Days of Hesiod
John Flaxman
1795–1817
Compositions by John Flaxman, Sculptor, R.A., from the Divine Poem of Dante Alighieri, containing Hell, Purgatory and Paradise with quotations from the Italian and translations from the version of the Reverend H. Boyd
John Flaxman
1807
The Abduction of Psyche
Henri-Charles Müller
1821
The Happy Mother
Alexis François Girard
1857
Compositions from the Tragedies of Aeschylus
John Flaxman
1795
Effigy of Mary, Queen of Scots on her tomb in Westminster Abbey (from The Pictorial History of Scotland, volume 1)
T. W. Knight
1859
Queen Victoria on Horseback in Windsor Park
Henry Lemon
1849
King Louis XIV is crowned with a garland while the "Dictionaire de l'academie françoise" is celebrated with flowers by three women aided by genii
Jean-Baptiste Corneille
1694
The Abduction of Psyche
Henri-Charles Müller
January 1821
Compositions Tirées des Ouvrages, des Jours, et de la Théogonie d'Hésiode, dessinées par Jean Flaxman, R.A.P.S.
John Flaxman
1818 (?)